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19th-Century Music publishes articles on all aspects of music having to do with the #!#!long#!#! nineteenth century. The period of coverage has no definite boundaries; it can extend well backward into the eighteenth century and well forward into the twentieth. Published tri-annually, the journal is open to studies of any musical or cultural development that affected nineteenth-century music and any such developments that nineteenth-century music subsequently affected. The topics are as diverse as the long century itself. They include music of any type or origin and include, but are not limited to, issues of composition, performance, social and cultural context, hermeneutics, aesthetics, music theory, analysis, documentation, gender, sexuality, history, and historiography.

AI & Society: Knowledge, Culture and Communication, is an international journal, publishing refereed scholarly articles, position papers, debates, short communications and reviews of books and other publications. Established in 1987, the journal focuses on the issues of policy, design and management of information, communications and new media technologies, with a particular emphasis on cultural, social, cognitive, economic, ethical and philosophical implications. AI & Society is broad based and strongly interdisciplinary. It welcomes contributions and participation from researchers and practitioners in a variety of fields including information technologies, social sciences, arts and humanities.''Technological innovations offer a great potential for a new social and economic renaissance, but also possess the risk of exclusion of people and their aspirations from shaping the post-industrial society. New technologies provide opportunities for the creation of new forms of employment, human services and living conditions, but at the same time there are dangers of decontextualising identity and thought, and of closing down human capacities for social innovation and sustainability'' (New Visions of the Post-Industrial Society, Int. Conf. July 1994).As the 21st Century dawns, a gap is emerging between the reality of the rapidly evolving 'information society' and the humanistic vision of developing socially useful technologies which deal with wider societal issues. AI & Society provides an international forum for analysis of these conflicts and dilemmas, and a focus for a growing community committed to the 'knowledge society' and to 'human-centered' technologies and systems.Rather than concentrate on technical aspects of information and communication systems, AI & Society emphasizes the need , to understand the potential and consequences of using these powerful tools.Anyone who cares about the policy, design and management of information, communication and media technologies, human-centered systems, and related sociotechnical developments should subscribe to AI & Society.

Occupying a unique niche among literary journals, ANQ is filled with short, incisive research-based articles about the literature of the English-speaking world and the language of literature. Contributors unravel obscure allusions, explain sources and analogues, and supply variant manuscript readings. Also included are Old English word studies, textual emendations, and rare correspondence from neglected archives. The journal is an essential source for professors and students, as well as archivists, bibliographers, biographers, editors, lexicographers, and textual scholars. With subjects from Chaucer and Milton to Fitzgerald and Welty, ANQ delves into the heart of literature.Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal seeks a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in postmodernism and post-colonialism, and their critiques; art and politics in transitional countries and regions; post-socialism and neo-liberalism; and the problem of global art and global art history and its methodologies.