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Irish Studies Review is an indispensable resource for all those engaged in Irish studies and related disciplines. Founded in 1992, it has become an important forum for the scholarly development of knowledge, understanding and appreciation of Irish studies and culture throughout the world. It serves a wide range of disciplinary communities, including history and archaeology; literary, cultural, gender and media studies; politics and economics; and music and the arts.Each issue consists of:refereed articlesreviews and review articles on all aspects of Irish studiestopical debates and interviews Irish Studies Review aims to reflect the variety of perceptions current in the field, to support traditional disciplinary scholarship, and to promote multi- and inter-disciplinary approaches to the subject.All articles and viewpoints are submitted to at least two referees before acceptance for publication.Peer Review Policy:All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.Disclaimer for scientific, technical and social science publications:Taylor & Francis and The Editors makes every effort to ensure the accuracy of all the information (the "Content") contained in its publications. However, Taylor & Francis and The Editors and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis or The Editors.

Since its launch in 1970, the Irish University Review has sought to foster and publish the best scholarly research and critical debate in Irish literary and cultural studies. The first issue contained contributions by Austin Clarke, John Montague, Sean O'Faolain, and Conor Cruise O'Brien, among others. Today, the journal publishes the best literary and cultural criticism by established and emerging scholars in Irish Studies. It is published twice annually, in the Spring and Autumn of each year. The journal is based in University College Dublin, where it was founded in 1970 by Professor Maurice Harmon, who edited the journal from 1970 to 1987. It has subsequently been edited by Professor Christopher Murray (1987-1997), Professor Anthony Roche (1997-2002), and Professor Anne Fogarty (2002-2009). It is supported by an international editorial board and editorial advisory board, and draws its authors, subscribers and readers from all around the world.

Italian Culture, the official publication of the American Association for Italian Studies (AAIS), is an annual refereed journal published by Michigan State University Press. Its interdisciplinary scope reflects the broad and diverse interests of the Association's members, offering subscribers scholarly articles in Italian language, linguistics, history, literature, cinema, politics, philosophy, folklore, popular culture, migration, and the influence of Italy on other cultures. It also includes articles in comparative literature and cultural studies.

Italian Studies was founded in 1937 as the journal of the Society for Italian Studies (SIS), the principal professional association of teachers of Italian and Italian studies in Higher Education in the UK and Ireland, whose aim is 'to advance public education by furthering the study of Italy, Italian language, literature, thought, history, society, and arts in the United Kingdom and Ireland' (www.sis.ac.uk). Members of the Society of Italian Studies are entitled to receive the journal at a discounted price (see Subscriptions link below), as well as to exclusive discounts on book in the Italian Perspectives and SIS Occasional Papers series. Click here to order Italian Studies has a national and international reputation for academic and scholarly excellence, publishing original articles (in Italian or English) on a wide range of Italian cultural concerns from the Middle Ages to the contemporary era. The journal warmly welcomes submissions covering a range of disciplines and inter-disciplinary subjects from scholarly and critical work on Italy's literary culture and linguistics to Italian history and politics, film and art history, and gender and cultural studies. It publishes two issues per year, normally including one special themed issue and occasional interviews with leading scholars.The reviews section in the journal includes articles and short reviews on a broad spectrum of recent works of scholarship. Both established scholars and young researchers regularly publish in the journal and recent issues have included work by contributors from the UK, Ireland, Italy, North America, and Australia. .

With over forty years of publication, The Journal of Commonwealth Literature (JCL) is internationally recognized as the leading critical and bibliographic forum in the field. It provides an essential reference tool for scholars, researchers and information scientists involved in all aspects of Commonwealth and postcolonial literatures. Three of the four issues each year bring together the latest critical comment on all aspects of Commonwealth and postcolonial literature and related areas, such as postcolonial theory, translation studies and colonial discourse. The fourth issue provides a comprehensive bibliography of publications in the field.

Advances in the History of Rhetoric (AHR), the annual research publication of the American Society for the History of Rhetoric, welcomes contributions from scholars who take a historical approach to the study of rhetoric. In particular, AHR publishes scholarship on all historical aspects of rhetoric, in all historical periods, and with reference to all intellectual, national, and cultural communities. The scope of AHR includes among other subjects the following matters of historical research:Rhetorical theoryRhetorical discourseRhetorical criticismRhetorical instruction in writing and speakingRelations of rhetoric with other disciplines or cultural institutions, processes, and events Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

The Journal of African Cultural Studies is an international journal providing a forum for perceptions of African culture from inside and outside Africa, with a special commitment to African scholarship. It focuses on dimensions of African culture including African literatures both oral and written, performance arts, visual arts, music, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. It has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. Although the journal no longer carries articles on African languages that are primarily linguistic in character, it remains strongly interested in the languages of Africa as channels for the expression of their culture. All views expressed are those of the authors and are not necessarily those of the editors. Peer Review Statement All research articles in this journal have undergone rigorous peer review, with initial editor screening and anonymized refereeing. Disclaimer The Journal of African Cultural Studies and Taylor & Francis make every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, the Journal of African Cultural Studies and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Journal of African Cultural Studies or Taylor & Francis.

Since its inception in 1970 the Journal of Arabic Literature has provided an international scholarly forum for the discussion of Arabic literature and has secured its position at the forefront of critical and methodological debate. The journal publishes literary, critical and historical studies, as well as review and bibliographies, on a broad range of Arabic materials n~ classical and modern, written and oral, poetry and prose, literary and colloquial. Studies that seek to integrate Arabic literature into the broader discourses of the humanities and social sciences take their place alongside technical work of a more specialized nature. The journal thus addresses itself to a readership in comparative literature and literary theory and method, in addition to specialists in Arabic and Middle Eastern literatures and Middle East studies generally.

The Journal of Australian Studies (JAS) is the journal of the International Australian Studies Association (InASA). In print since the mid-1970s, in the last few decades JAS has been involved in some of the most important discussions about the past, present and future of Australia. The Journal of Australian Studies is a fully refereed, international quarterly journal which publishes scholarly articles and reviews on Australian culture, society, politics, history and literature. The editorial practice is to promote and include multi- and interdisciplinary work. Routledge, Taylor & Francis Group are pleased to announce the two winning articles of the John Barrett Award 2010. In the Shadow of War': Australian parents and the legacy of loss, 1915-1935 Jen Hawksley 'The galling yoke of slavery': race and separation in colonial Port Phillip Jessie Mitchell Want to know more about the John Barrett Award? >> Disclaimer The International Australian Studies Association and Taylor & Francis make every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, the Society and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Society or Taylor & Francis.

The flagship journal of the field, the Journal of Biblical Literature is published quarterly and includes scholarly articles and critical notes by members of the Society.