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Speculum, published quarterly since 1926, was the first scholarly journal in North America devoted exclusively to the Middle Ages. It is open to contributions in all fields studying the Middle Ages, a period ranging from 500 to 1500. The journal’s primary emphasis is on Western Europe, but Arabic, Byzantine, Hebrew, and Slavic studies are also included. Articles may be submitted on any medieval topic; all disciplines, methodologies, and approaches are welcome, with articles on interdisciplinary topics especially encouraged. The language of publication is English.

Storytelling, Self, Society is an interdisciplinary journal that invites scholarship addressing any topic related to Storytelling--from its role as performing art to contemporary applications in a variety of professional fields. We welcome manuscripts from scholars in humanities and social science disciplines, including psychology, library science, literary studies, folklore, anthropology, sociology, communication, rhetoric, performance studies, theatre, history, feminist and queer studies, and ethnography, as well as from storytelling artists and practitioners, including those applying storytelling in the fields of education, health care, social work, business, law, peace-building and environmental education.Our purpose is to gather the building blocks of new disciplinary roles, structures, and methodologies for Storytelling in the 21st century. We seek articles that reflect the highest standards of the various disciplines on which we draw, and to which we intend to contribute. In addition to standard monographs, Storytelling, Self, Society seeks to extend the critical vocabulary of contemporary storytelling, and so solicits reviews of storytelling performances and individual texts, as well as essays that review several performances and texts. We also recognize that storytelling is a longstanding discipline in itself; thus we welcome personal ethnography and reflection, as well as stories that have evolved from the oral tradition and reflect upon the endurance and evolution of oral traditions in the present day.We recognize the profound and often contested influences of storytelling and cultural narratives on the health of the individual, the community, and the planet. We seek ways to evaluate, measure, and focus those influences to impact our scholarship, our disciplines, our society, and ourselves. In keeping with an interdisciplinary journal, monographs and review essays in Storytelling, Self, Society are written in prose that is appropriate for a wide range of scholars and educated readers rather than the specialized jargon of a specific discipline.Peer Review Policy: All published research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by multiple expert referees. On rare occasions, the editors may serve as reviewers. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.

Studia Islamica offers to the learned public, and not to Islamic scholars only, papers written by qualified specialists on subjects from all sections of the vast field of Islamic studies. Special attention is paid to discussions of method to comprehensive views, and to new conclusions.

The new editorial board of Studies in American Fiction invites submissions of essays that offer innovative and path-breaking perspectives on American fiction. Under a new partnership with Johns Hopkins University Press and Project MUSE, SAF will continue to feature peer-reviewed essays, with the enhanced circulation and visibility of JHUP and MUSE. Since its founding in 1973 at Northeastern University, SAF has been the only scholarly journal devoted entirely to American fiction, publishing high quality essays focused on a wide range of canonical and non-canonical authors. In its new format, SAF will maintain its commitment to publishing exciting new work on writers ranging from Susanna Rowson to Toni Morrison, while also emphasizing forms of writing that do not conform to traditional genres and forms. We welcome essays that define the terms "American" and "fiction" broadly, by interrogating and redrawing both generic and geographical boundaries. We especially welcome submissions on emergent writers and canons, as well as neglected and rediscovered writers from North America's colonial past to the United States' globalized present.

Founded in 1997 by Tim Youngs, Studies in Travel Writing is an international, refereed journal dedicated to research on travel texts and to scholarly approaches to them. Unrestricted by period or region of study, the journal allows for specific contexts of travel writing to be established and for common or enduring features to be identified. It welcomes contributions from within, between or across academic disciplines; from senior scholars and from those at the start of their careers. It also publishes original interviews with travel writers, special themed issues, and book reviews. Disclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

Studies in the Literary Imagination is a biannual scholarly journal focusing on special topics in literature. SLI enjoys a worldwide audience with contributing editors and authors who are considered the leaders in their fields. SLI is unique among scholarly journals in that it relies on an editorial committee to review proposals from potential guest editors, who then invite scholars to contribute articles exploring different aspects of a particular theme. One of the favorable distinctions resulting from this practice is that each issue is topic driven; in this sense, SLI serves more as a monograph series than as a typical journal.